Eliza completed her Masters of Film & Television (Documentary) at The Victorian College of the
Arts in 2016. During her two years there, Eliza travelled to Los Angeles with her short documentary,
"Compers", which screened at Palm Springs International Film Festival, after success at the St Kilda
and Heart of Gold Film Festivals. In her final year, she received the graduate award for female directors, The Sarah Watt Award, for her film "Daughters of Doom".

Since graduating, Eliza followed the participants of "Daughters of Doom" to
create her first feature film, "Queens of Concrete", which which premiered to sold out audiences at
the Melbourne International Film Festival. It has since been nominated for Best Feature at SXSW
Sydney and screened at CinefestOz. The film ranked number four out of eighty Australian films to premiere in 2024 by Cinema Australia. Eliza’s passion for the project lies in her own coming-of-age
experience growing up on the NSW Central Coast.

Veronica is an award-winning producer, executive producer and the Principal of WildBear Entertainment, produces over two-hundred hours of factual screen content every year and has offices in Canberra, Brisbane, Sydney and Dunedin (Aotearoa).

Veronica has over eighty-five commissioned television and feature documentaries to her name and produced over two-hundred-and-fifty hours of screen content including, "Gem Hunters Down Under", "Wildlife ER", "And We Danced" and "Wild Winter". She produced the AACTA-nominated "Brock: Over the Top" and "Ford v Holden", as well as the award-winning biopic "Hating Peter Tatchell" and "A League of Her Own".

Veronica is a Screen Producers Australia Councillor. She also sits on the Board of Curriculum at Bond University and the Industry Advisory Board for Essential Screen Skills.

Molly specialises in documentary and digital media production. She has written, directed and/or produced seven feature documentaries. Her work includes "A Portrait of Love", "My Name is Gulpilil", "Running with Crutches", "The Waiting Room", "Another Country", "Still Our Country", "What Makes Me", "12 Canoes", "Peter Churcher". and "The Balanda and the Bark Canoes". Her work has played and exhibited at the world's leading film and arts festivals, including the International Documentary Film Festival Amsterdam, and the Telluride, Hot Docs, True/False, and Cannes Film Festivals, as well as Dark Mofo and the Samstag Museum of Art.

Paul co-founded Madman Entertainment in 1996, a leading independent distribution and rights management company for feature film with offices in Melbourne, Auckland and Berlin.

Films distributed by Madman include over one-hundred Academy Award® nominees and winners, along with local documentaries including “Gurrumul”, “2040”, “The Australian Dream”, “That Sugar Film”, “Girls Can’t Surf”, “Mountain”, “Mystify: Michael Hutchence” and “Road to Patagonia”.

Paul has executive produced over forty feature and documentary films and established the streaming platform DocPlay, a curated documentary service in Australia and New Zealand. He is a graduate of AFTRS with a Masters of Screen Art and Business.

Currently, Paul holds a number of Board positions, including Co-Chair of the Australian International Documentary Conference (AIDC), Board Member of Screenrights, and Board Member of the Australian Centre of The Moving Image (ACMI).